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	<title>Anna Mutschlechner-Dean</title>
	<link>https://annamutschlechner-dean.com</link>
	<description>Anna Mutschlechner-Dean</description>
	<pubDate>Sun, 05 Jul 2026 18:11:37 +0000</pubDate>
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		<pubDate>Sat, 05 Nov 2022 22:32:03 +0000</pubDate>

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		<title>works scroll down</title>
				
		<link>https://annamutschlechner-dean.com/works-scroll-down</link>

		<pubDate>Sun, 06 Nov 2022 13:11:30 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

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UNDER CURRENT &#124; UNDER STROM (2026)


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STREAM &#124; STROM (2026)


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	MOVING SKINS (2025)


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RESONANCE (2024)


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	WHEN IT TAKES OVER (2023)


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	MORPHING TENDENCIES (2022)


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	FLOW UNTIL OVERFLOW &#38;nbsp;(2022)


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	FLOATING POINTS &#38;nbsp;(2022)


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	REACHING &#38;nbsp;(2022)

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	WHAT IS LEFT WHEN IT MOVES (2022)




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	RUN. TIME. &#38;nbsp;(2022)


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	GET IT WHILE YOU CAN &#38;nbsp;(2022)


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INSIGHT &#38;nbsp;(2021)


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	INDEFINITE &#38;nbsp;(2021)

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DIFFUSION &#38;nbsp;(2019)&#38;nbsp;
	

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	<item>
		<title>Overview</title>
				
		<link>https://annamutschlechner-dean.com/Overview</link>

		<pubDate>Sun, 26 Feb 2023 22:25:33 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

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&#60;img width="6199" height="3499" width_o="6199" height_o="3499" data-src="https://freight.cargo.site/t/original/i/9bcd67c48becd6725fd098dc37ccc2dc444282f17fb93f50cdc402b4ca55c6ad/edited_DSC02586.jpg" data-mid="249834492" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/9bcd67c48becd6725fd098dc37ccc2dc444282f17fb93f50cdc402b4ca55c6ad/edited_DSC02586.jpg" /&#62;UNDER CURRENT &#124; UNTER STROM (2026)

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	</item>
		
		
	<item>
		<title>Under Current </title>
				
		<link>https://annamutschlechner-dean.com/Under-Current</link>

		<pubDate>Fri, 26 Jun 2026 10:03:21 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/Under-Current</guid>

		<description>UNDER CURRENT &#124; UNDER STROM &#38;nbsp;(2026)
Multimedia Peformance and Installation, Ceramic Sculptures, Sound Installation, Poem Booklet Release


&#60;img width="6199" height="3499" width_o="6199" height_o="3499" data-src="https://freight.cargo.site/t/original/i/448dc937280ae6701a503db9edea7b8d3c200d44de5ad4881c31a8dd4703acc8/edited_DSC02586.jpg" data-mid="249832075" border="0"  src="https://freight.cargo.site/w/1000/i/448dc937280ae6701a503db9edea7b8d3c200d44de5ad4881c31a8dd4703acc8/edited_DSC02586.jpg" /&#62;

Photo Credit: Levi Kiss




	Under Current is an interdisciplinary exhibition project that brings together the publication of a poetry collection with ceramic sculptures, sound, and live performance.



This project originates from a collection of poems written over a period of seven years, whose texts deal with connection and dissolution as well as interpersonal transcendence. Relations to others and to external contexts permeate the poems and reflect fundamental processes of perception and identity.



The ceramic works emerge from this engagement and appear as a spatial extension of the texts. The sculptures recall vessels in their form, seemingly attempting to contain something, yet removed from their original function. Their shapes draw on deep-sea hydrothermal sources – so-called black smokers – whose emissions are considered a basis for the emergence of organic molecules. Glossy black and individually shaped in their formations, the sculptures appear as corporeal entities that speak of openness and permeability.



Within the live performance, word, body, and sound enter into dialogue and open a space for reflecting on interpersonal relationships and the recognition of oneself in others. Text intertwines with movement, rhythm, and sculpture as carriers of resonance that address and make vulnerability tangible. Between word and movement, fields of tension emerge in which personal reality and collective perception intersect. A scene of intimacy and emotional layers unfolds, expressing, sharing, influencing, and forming anew, acting as an impulse for reflection and shifts in perspective in relation to collective interpersonal relationships.




The project invites viewers to reflect on socio-political structures and asks how the social recognition of vulnerability can sharpen the awareness of collective responsibility and deepen the understanding of interpersonal interdependence.

COLLABORATORS AND THANKS TO:
Sound Design: Johannes Mandorfer&#38;nbsp;Movement Director: Zsófia Lipták

Outfit Design: Yoon A Lee&#38;nbsp;Flyer Design: Ivana LazicVenue: VINZENZ WIEN&#38;nbsp;
Performers: Zsófia Lipták &#38;amp; Anna Mutschlechner-Dean &#38;amp; Johannes MandorferFunded by:
BMWKMS WienBildrecht Wien Mittel des Währinger Kulturbudgets





	

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&#60;img width="6667" height="3944" width_o="6667" height_o="3944" data-src="https://freight.cargo.site/t/original/i/4d6f9dc821b07c0236bd425ac5f29feaff796e0e4317a73a543fc6437fb68a9e/Edit_DSC02855.jpg" data-mid="249832156" border="0"  src="https://freight.cargo.site/w/1000/i/4d6f9dc821b07c0236bd425ac5f29feaff796e0e4317a73a543fc6437fb68a9e/Edit_DSC02855.jpg" /&#62;









︎︎︎Back Next︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Stream Strom Poem Collection</title>
				
		<link>https://annamutschlechner-dean.com/Stream-Strom-Poem-Collection</link>

		<pubDate>Sun, 05 Jul 2026 18:11:37 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/Stream-Strom-Poem-Collection</guid>

		<description>STREAM &#124; STROM &#38;nbsp;(2026)
Poem Booklet&#38;nbsp;



&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/f41aeb3f6e2cd145dc4e9bdf166b876f9d2077aa5612c5666f7a58dd6b84a2a1/IMG_7906_EDIT-website.jpg" data-mid="250112181" border="0"  src="https://freight.cargo.site/w/1000/i/f41aeb3f6e2cd145dc4e9bdf166b876f9d2077aa5612c5666f7a58dd6b84a2a1/IMG_7906_EDIT-website.jpg" /&#62;




	Stream &#124; Strom is a collection of poems written over a period of seven years, whose texts deal with connection and dissolution as well as interpersonal transcendence. 

Relations to others and to external contexts permeate the poems and reflect fundamental processes of perception and identity.






FOREWORD
A collection of poems and thoughts from seven years. 

(2018 - 2024)


On these pages, texts in both my mother tongues, in non-chronological order, can be found.


These lines below are the only ones translated into both languages.
They sum up the reason for this book.



This goes to all my loved ones and to myself:


To the things that have been made
And forgotten about
That were not for anyone to see
Nor intended to be
Until now when they have been set free






The project and live performance Under Current &#124; Unter Strom emerged from this poetry collection.

Funded by:
BMWKMS WienBildrecht Wien Mittel des Währinger Kulturbudgets





	

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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/503daa3e1cd2b6aaed878322128156130cd3cde089549398f60b0045ec5fc76d/IMG_7935_EDIT.jpg" data-mid="250112174" border="0"  src="https://freight.cargo.site/w/1000/i/503daa3e1cd2b6aaed878322128156130cd3cde089549398f60b0045ec5fc76d/IMG_7935_EDIT.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/708b9bb2134511a885457be39c06f9a7d4168255b023c834ef6900a8dd8eb9ec/IMG_7931_EDIT.jpg" data-mid="250112171" border="0"  src="https://freight.cargo.site/w/1000/i/708b9bb2134511a885457be39c06f9a7d4168255b023c834ef6900a8dd8eb9ec/IMG_7931_EDIT.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/affdb0f9a2827c0c03afdb5537f2ff5037a7d074b3d22536ca6048c5235f800d/IMG_7930_EDIT.jpg" data-mid="250112170" border="0"  src="https://freight.cargo.site/w/1000/i/affdb0f9a2827c0c03afdb5537f2ff5037a7d074b3d22536ca6048c5235f800d/IMG_7930_EDIT.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2a02ce0fe9bcf1c70a741b7c54035a339072b74bce0792effc4420d25b8475e1/IMG_7914_EDIT.jpg" data-mid="250112167" border="0"  src="https://freight.cargo.site/w/1000/i/2a02ce0fe9bcf1c70a741b7c54035a339072b74bce0792effc4420d25b8475e1/IMG_7914_EDIT.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0911f069dca4b398104aee4566b5e14ed3bc0f0dd7a3be3c917e9ddfeb417b53/IMG_7941_EDIT.jpg" data-mid="250112168" border="0"  src="https://freight.cargo.site/w/1000/i/0911f069dca4b398104aee4566b5e14ed3bc0f0dd7a3be3c917e9ddfeb417b53/IMG_7941_EDIT.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1a95af3f4551485134d7b1858d2017c908cf9e96fa854b0e28f257b60b48946b/IMG_7932_EDIT.jpg" data-mid="250112172" border="0"  src="https://freight.cargo.site/w/1000/i/1a95af3f4551485134d7b1858d2017c908cf9e96fa854b0e28f257b60b48946b/IMG_7932_EDIT.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fb046e631895f27b06c1b6c0d06a5b669e489fcdb18a966d29708cc422fe02a4/IMG_7918_EDIT.jpg" data-mid="250112166" border="0"  src="https://freight.cargo.site/w/1000/i/fb046e631895f27b06c1b6c0d06a5b669e489fcdb18a966d29708cc422fe02a4/IMG_7918_EDIT.jpg" /&#62;









︎︎︎Back Next︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Come lay down on my flesh</title>
				
		<link>https://annamutschlechner-dean.com/Come-lay-down-on-my-flesh</link>

		<pubDate>Mon, 27 Apr 2026 09:52:57 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/Come-lay-down-on-my-flesh</guid>

		<description>COME LAY DOWN ON MY FLESH

 (2026)
3D-Rendering



&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/bec893004844d1921a5fae7c80d7f3d76f2529edc64eb70241be1c4ab8034aca/Come-lay-down-on-my-flesh02_Website3024x1701.jpg" data-mid="247614860" border="0"  src="https://freight.cargo.site/w/1000/i/bec893004844d1921a5fae7c80d7f3d76f2529edc64eb70241be1c4ab8034aca/Come-lay-down-on-my-flesh02_Website3024x1701.jpg" /&#62;



	This work presents the body not as a subject, but as infrastructure. Soft, oversized sculptural forms are reminiscent of cushions or modular lounging areas, covered with the colour and texture of human skin and musculature. The objects subtly contract and expand again, simulating the involuntary rhythms of living tissue – breathing, tension, relaxation.




Rendered in exaggerated scale, these forms invite closeness rather than distance. They blur the boundaries between comfort and discomfort, intimacy and repulsion. Flesh becomes an architectural surface: something to lean against, sink into, or rest upon. The work frames the body not as an idealised figure, but as a material – soft, vulnerable, heavy and inescapable.




The work plays with the idea that, beyond identity, gender and desire, we are all made of the same matter. The invitation – Come Lay Down On My Flesh – is at once tender and unsettling, bringing together care, queerness and abjection in a single gesture.





	

&#60;img width="3072" height="1620" width_o="3072" height_o="1620" data-src="https://freight.cargo.site/t/original/i/3153cd3e28c42daf8cff787d5f755a956ed1c8e75f9c1f641586e77c6ce480e3/Come-lay-down-on-my-flesh_01.jpg" data-mid="247614871" border="0"  src="https://freight.cargo.site/w/1000/i/3153cd3e28c42daf8cff787d5f755a956ed1c8e75f9c1f641586e77c6ce480e3/Come-lay-down-on-my-flesh_01.jpg" /&#62;

&#60;img width="2560" height="1350" width_o="2560" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9b6d9470933f0895eefb8c668d7ff7364e8ed47ef3b9cbd13927e36c6b2a7d84/Flesh_01.jpg" data-mid="247614872" border="0"  src="https://freight.cargo.site/w/1000/i/9b6d9470933f0895eefb8c668d7ff7364e8ed47ef3b9cbd13927e36c6b2a7d84/Flesh_01.jpg" /&#62;

&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/bec893004844d1921a5fae7c80d7f3d76f2529edc64eb70241be1c4ab8034aca/Come-lay-down-on-my-flesh02_Website3024x1701.jpg" data-mid="247614860" border="0"  src="https://freight.cargo.site/w/1000/i/bec893004844d1921a5fae7c80d7f3d76f2529edc64eb70241be1c4ab8034aca/Come-lay-down-on-my-flesh02_Website3024x1701.jpg" /&#62;








︎︎︎Back Next︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Moving Skins</title>
				
		<link>https://annamutschlechner-dean.com/Moving-Skins</link>

		<pubDate>Tue, 11 Mar 2025 09:12:51 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/Moving-Skins</guid>

		<description>MOVING SKINS (2025)
Video, Full HD 16:9, 06’12’’



&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/e74decc324d02c92ca72f647305562415b4365fedc1662cd1f12b9b22219aea7/MovingSkins_Video-Still04_3024x1701.jpg" data-mid="228029329" border="0"  src="https://freight.cargo.site/w/1000/i/e74decc324d02c92ca72f647305562415b4365fedc1662cd1f12b9b22219aea7/MovingSkins_Video-Still04_3024x1701.jpg" /&#62;





	Moving Skins explores the fragile, fading bond between humans, animals and nature in a dystopian yet poetic landscape. The video follows a performer moving through dense, wild terrain, delving into the environment - searching, touching and attempting to communicate with the unseen. This act of seeking allegorizes the fragility of coexistence and the transience of interspecies relationships. 


Scattered across the landscape are sculptural, skin-like forms made of biomaterials, reminiscent of the remains of life forms. These organic structures point to extinct or disappearing organisms and serve as haunting markers of time and the temporality of shared time frames. 


The performer’s body becomes a “moving skin” that embodies the vulnerability of the present. In the interaction with the environment and the biomaterial sculptures, the video captures the tension between connection and loss, presence and absence. Moving Skins considers time, memory and transience, the fading bonds between humans and animals, and acts as a reminder of what is being lost and what could still be preserved.




This work was produced in Beatenberg (Switzerland) during and with the support of the Videocity Residency Program.





	
&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/f8bfa996d70e9dfe6452f90a7845b7e3a6e806a7c45420e55bf253664626690b/MovingSkins_Video-Still03.jpg" data-mid="228029332" border="0"  src="https://freight.cargo.site/w/1000/i/f8bfa996d70e9dfe6452f90a7845b7e3a6e806a7c45420e55bf253664626690b/MovingSkins_Video-Still03.jpg" /&#62;

&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/8896ce71c7f0dd19b56b3f552ced874a5d0f3ab9063959535c160abbca8fe270/MovingSkins_Video-Still01.jpg" data-mid="228029330" border="0"  src="https://freight.cargo.site/w/1000/i/8896ce71c7f0dd19b56b3f552ced874a5d0f3ab9063959535c160abbca8fe270/MovingSkins_Video-Still01.jpg" /&#62;

&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/71ee376c910a90a9c9592c5bc7dd671d3cd2418d7a135b1af81bdf20eb1d2e85/MovingSkins_Video-Still02.jpg" data-mid="228029331" border="0"  src="https://freight.cargo.site/w/1000/i/71ee376c910a90a9c9592c5bc7dd671d3cd2418d7a135b1af81bdf20eb1d2e85/MovingSkins_Video-Still02.jpg" /&#62;












︎︎︎Back Next︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Not seeing the tree for the forest</title>
				
		<link>https://annamutschlechner-dean.com/Not-seeing-the-tree-for-the-forest</link>

		<pubDate>Tue, 05 Nov 2024 14:03:22 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/Not-seeing-the-tree-for-the-forest</guid>

		<description>NOT SEEING THE TREE FOR THE FOREST (2024)
Video, Full HD 16:9, 02’55’’



&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/dfefd06b065fb1c75f268be1c0607ffad2fc30a9ea110c72047262d63c1bcc6b/Wald_Still002_300dpi_3024x1701.jpg" data-mid="221219996" border="0"  src="https://freight.cargo.site/w/1000/i/dfefd06b065fb1c75f268be1c0607ffad2fc30a9ea110c72047262d63c1bcc6b/Wald_Still002_300dpi_3024x1701.jpg" /&#62;





	&#38;nbsp;The body becomes a symbol of political resistance, interwoven with nature and at the same time alienated from it. The inverse expression ‘not seeing the tree for the forest’ describes how the individual disappears into the web of social structures. The ambivalence of protection, which at the same time means constriction, and the attempt to escape paralysing systems form an eternal balancing act between empathy and apathy, action and standstill.
The video work criticises Western societal structures that hold the individual captive in apparent powerlessness. It addresses the invisibility and overstrain of the individual in the midst of overwhelming social constructs.
The performance unfolds in a forest landscape that functions both as a natural environment and as a symbol of a controlling order. Movements that oscillate between physical exertion and resignation emphasise the difficulty of maintaining humanity in an apathetic, restrictive environment.





	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/42d2dd0b29426f9a2b738d3fc654680782fd382c883bc96e0b359d13a618a133/Wald_Still006_300dpi.jpg" data-mid="221219532" border="0"  src="https://freight.cargo.site/w/1000/i/42d2dd0b29426f9a2b738d3fc654680782fd382c883bc96e0b359d13a618a133/Wald_Still006_300dpi.jpg" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/64f907c245ff4359c43f3d71a0dcc4d55c4eb2a9f7fe028a214d001364a13b2a/Wald_Still008_300dpi.jpg" data-mid="221219537" border="0"  src="https://freight.cargo.site/w/1000/i/64f907c245ff4359c43f3d71a0dcc4d55c4eb2a9f7fe028a214d001364a13b2a/Wald_Still008_300dpi.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/68633f71b72db67610ec1fad4c26b3385d2242d65d147ffb8dce0154d77627a6/Wald_Still09_300dpi.jpg" data-mid="221219538" border="0"  src="https://freight.cargo.site/w/1000/i/68633f71b72db67610ec1fad4c26b3385d2242d65d147ffb8dce0154d77627a6/Wald_Still09_300dpi.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6466a8fc08077b0048c710fea9848863b96d94bddf10a43a8b688e6b2c3c1e1a/Wald_Still012_300dpi.jpg" data-mid="221219539" border="0"  src="https://freight.cargo.site/w/1000/i/6466a8fc08077b0048c710fea9848863b96d94bddf10a43a8b688e6b2c3c1e1a/Wald_Still012_300dpi.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/48e65fc2756bf5fa2867f42d94def7e80b530097563473dc2100052f5e25e2db/Wald_Still013_300dpi.jpg" data-mid="221219540" border="0"  src="https://freight.cargo.site/w/1000/i/48e65fc2756bf5fa2867f42d94def7e80b530097563473dc2100052f5e25e2db/Wald_Still013_300dpi.jpg" /&#62;









︎︎︎Back Next︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Resonance</title>
				
		<link>https://annamutschlechner-dean.com/Resonance</link>

		<pubDate>Thu, 17 Jul 2025 17:50:44 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/Resonance</guid>

		<description>RESONANCE (2024)
Ceramic, size varies



&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/b1b934b1cb9ed89cf7c92fa187abe8bfaec9c83824b8f888f0e5e4192e9af259/Memory1_Pic2.jpg" data-mid="235947639" border="0"  src="https://freight.cargo.site/w/1000/i/b1b934b1cb9ed89cf7c92fa187abe8bfaec9c83824b8f888f0e5e4192e9af259/Memory1_Pic2.jpg" /&#62;





	Ceramic sculptures created during workshops I have been leading in Vienna. Participants were invited to shape and translate their personal or formative memories into ceramic objects – drawing from memories of youth, home, origin, and belonging.


The project aimed at an extended exchange of experiences through individual as well as collective reflection. The project emphasises transgenerational sharing and the processing of memories through making, as well as capturing these as physical snapshots.


This is part of an ongoing exploration of memory through ceramic practice.





Supported by Bmkös Start Scholarship for Media Art.




	


&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/49af8c3215b404141c53801590e7b8150dd45aa7f655aef17cd841146a1159f0/Memory5_.jpg" data-mid="235947642" border="0"  src="https://freight.cargo.site/w/1000/i/49af8c3215b404141c53801590e7b8150dd45aa7f655aef17cd841146a1159f0/Memory5_.jpg" /&#62;&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/7b555e3f6875c935c4c069b81218aa72ff11e873864b155296b9f89ea512a906/Memory5_Pic2.jpg" data-mid="235947641" border="0"  src="https://freight.cargo.site/w/1000/i/7b555e3f6875c935c4c069b81218aa72ff11e873864b155296b9f89ea512a906/Memory5_Pic2.jpg" /&#62;

&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/bba668134e92b889051a97bd2b8ed915703e67c5cba35327b79a459dbac2c4d5/Memory2_Pic3.jpg" data-mid="235947638" border="0"  src="https://freight.cargo.site/w/1000/i/bba668134e92b889051a97bd2b8ed915703e67c5cba35327b79a459dbac2c4d5/Memory2_Pic3.jpg" /&#62;


&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/c855953e8be37961e11361b323ce741bc285c2bb569796e1d55a333489eb65ea/Memory8_Pic2.jpg" data-mid="235947645" border="0"  src="https://freight.cargo.site/w/1000/i/c855953e8be37961e11361b323ce741bc285c2bb569796e1d55a333489eb65ea/Memory8_Pic2.jpg" /&#62;


&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/b22950d51a1749e59ae09c6c1dc0ccd68261ff2aaa6bce759f75268e307c98b0/Memory8_.jpg" data-mid="235947646" border="0"  src="https://freight.cargo.site/w/1000/i/b22950d51a1749e59ae09c6c1dc0ccd68261ff2aaa6bce759f75268e307c98b0/Memory8_.jpg" /&#62;&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/dc78f2182eac77c9f94a3cb86ae188007786af4904979dd496b6089ca270181b/Memory9_Pic2.jpg" data-mid="235947644" border="0"  src="https://freight.cargo.site/w/1000/i/dc78f2182eac77c9f94a3cb86ae188007786af4904979dd496b6089ca270181b/Memory9_Pic2.jpg" /&#62;


&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/9573b76d8b4973295ee4efc3fa70c30234e7f6eb5dd7a8569d6c6604ac2f5785/Memory9_.jpg" data-mid="235947643" border="0"  src="https://freight.cargo.site/w/1000/i/9573b76d8b4973295ee4efc3fa70c30234e7f6eb5dd7a8569d6c6604ac2f5785/Memory9_.jpg" /&#62;

&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/091271e90fa6d503589d75b04cfb64c3e85a6e08433fc72b3a4a5e6b950010f4/Memory4_.jpg" data-mid="235947653" border="0"  src="https://freight.cargo.site/w/1000/i/091271e90fa6d503589d75b04cfb64c3e85a6e08433fc72b3a4a5e6b950010f4/Memory4_.jpg" /&#62;
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	<item>
		<title>TWO COEXIST</title>
				
		<link>https://annamutschlechner-dean.com/TWO-COEXIST</link>

		<pubDate>Sun, 14 Apr 2024 20:27:13 +0000</pubDate>

		<dc:creator>Anna Mutschlechner-Dean</dc:creator>

		<guid isPermaLink="true">https://annamutschlechner-dean.com/TWO-COEXIST</guid>

		<description>T(W)O COEXIST (2024)
4-Channel Video, 4K, 15’15’’

&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/bf1341afc9327713a131fd593dd6eaca5982191d091253ee1cd0f45a0357e4ed/TWO-COEXIST_FINAL_Anna-Mutschlechner-Dean.00_04_25_24.Still009_3024x1701_72dpi.jpg" data-mid="223279200" border="0"  src="https://freight.cargo.site/w/1000/i/bf1341afc9327713a131fd593dd6eaca5982191d091253ee1cd0f45a0357e4ed/TWO-COEXIST_FINAL_Anna-Mutschlechner-Dean.00_04_25_24.Still009_3024x1701_72dpi.jpg" /&#62;






	&#38;nbsp;T(W)O COEXIST is a 4-channel short film that explores the boundaries between reality, fiction and human perspective by merging fictional and real scenarios, bringing together performance, poetic narrative and human participation.



The work deals with interactions and reactions of the human body to its environment, using masks as a means of reflecting and deconstructing habitual behaviour. Masks function as physical initiators to investigate automated, conditioned behaviour of the body in relation to external structures. They serve as a tool for accessing new interaction possibilities - potentials. The juxtaposition of the human body and the external organism forms the basis for this exploration. Different participants get involved in the project by choosing one of the masks and thus approaching and encountering their environment in a new way. The work aims to use a performative approach to highlight the vulnerability of both entities - the coexistence of two bodies: that of the human and that of the habitat. T(W)O COEXIST invites viewers to redefine their own relationship to the environment and reflects the awareness of the symbiotic coexistence between the human body and the surrounding habitat.


	&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/37ddfbc8b9cb13dcc3adc13d622d6b79600edd952e3f57b00d0c8d852eda01f0/TWO-COEXIST_VideoStill03_Website3024x1701.jpg" data-mid="218739674" border="0"  src="https://freight.cargo.site/w/1000/i/37ddfbc8b9cb13dcc3adc13d622d6b79600edd952e3f57b00d0c8d852eda01f0/TWO-COEXIST_VideoStill03_Website3024x1701.jpg" /&#62;&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/a2c6d9df7193a1a03fe6bdfcd80dce2cb8ff59bf6f272d666baf6dce29e65802/TWO-COEXIST_Still4_Website3024x1701.jpg" data-mid="218739672" border="0"  src="https://freight.cargo.site/w/1000/i/a2c6d9df7193a1a03fe6bdfcd80dce2cb8ff59bf6f272d666baf6dce29e65802/TWO-COEXIST_Still4_Website3024x1701.jpg" /&#62;&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/92e94e05f25b163de710e6f143256c7fc09a6bfa41adc4216540b9cd88144682/TWO-COEXIST_VideoStill1_Website3024x1701.jpg" data-mid="218739671" border="0"  src="https://freight.cargo.site/w/1000/i/92e94e05f25b163de710e6f143256c7fc09a6bfa41adc4216540b9cd88144682/TWO-COEXIST_VideoStill1_Website3024x1701.jpg" /&#62;&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/17b30109aba31bb73c759f5039e1e0ce61b47a0c983e88e412f5ce2add2b7e2d/TWO-COEXIST_FINAL_Anna-Mutschlechner-Dean.00_10_45_06.Still015_3024x1701_72dpi.jpg" data-mid="223279201" border="0"  src="https://freight.cargo.site/w/1000/i/17b30109aba31bb73c759f5039e1e0ce61b47a0c983e88e412f5ce2add2b7e2d/TWO-COEXIST_FINAL_Anna-Mutschlechner-Dean.00_10_45_06.Still015_3024x1701_72dpi.jpg" /&#62;
&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/83fa62a8d40bbcc2efb43d664887393d220c1c626116f914b23407380955d9e2/TWO-COEXIST_VideoStill02_Website3024x1701.jpg" data-mid="218739673" border="0"  src="https://freight.cargo.site/w/1000/i/83fa62a8d40bbcc2efb43d664887393d220c1c626116f914b23407380955d9e2/TWO-COEXIST_VideoStill02_Website3024x1701.jpg" /&#62;

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